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Welcome to the beta environment of Supverse

Supverse is a media platform run by analysts and journalists.
Supverse, the UniVerse of WasSup, allows members to create ad hoc discussions on any page* across the vast Internet. The discussion can be just a reference for yourself, or a diverse audience debate. Organize all research content and references using personal hashtags on your Supverse profile and even stitch together these thoughts into a dynamic presentation you can publish online and share with others. Mingle your philosophies with others in the Supverse global sensorium to create new meanings.
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  • Sign up for a free account and use the cloud to bookmark pages and to leave notes on websites that interest you.
  • Join the discussions that are ongoing, see what trends and becomes news to you, find associated information.
  • Create an online dynamic stream of thought, in a Prezi like environment, and share it with like-minded people.


* At this point not every site is supported.

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Filtered on: #LiviaMarin > showing 2 comments covering 100 days


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#Artist #LiviaMarinā €˜s Broken Things seem just fine.

The sculptures are reminiscent of a familyā€™s ā€œgood chinaā€ ā€“ utilitarian objects that seem to cherished for their decorative nature and #art rather than ever see any use.

&Rob 2014-02-08  


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#LiviaMarin beautiful fluid art: Nomad Patterns, reminds us of #Dali 's work


In what looks like a fun play on Salvador Daliā€™s melting clocks, London-based Chilean artist Livia Marin has created interesting classic porcelain China pieces that seem to have melted and pooled on a hot summer day.

The melting porcelain pieces from her ā€œNomad Patternsā€ and ā€œBroken Thingsā€ series are unsettling because whatā€™s left of the pots, kettles and cups looks like the solid objects weā€™re used to, while the puddle of ā€œmeltedā€ porcelain look like vanilla ice-cream that has been left out in the sun too long.

According to the artistsā€™ website, she focuses her work around exploring ā€œthe nature of how we relate to material objects in an era dominated by mass-production, standardization and global circulationā€¦

&Rob 2014-02-08  


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